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Suffrage Song

The Haunted History of Gender, Race and Voting Rights in the U.S.

ebook
1 of 1 copy available
1 of 1 copy available

New Yorker contributing cartoonist Caitlin Cass traces the fight for suffrage in the U.S. from the 1848 Seneca Falls Convention to the Voting Rights Act of 1965. This intersectional history of women and voting rights chronicles the suffrage movement's triumphs, setbacks, and problematic aspects.

Best Art Books of 2024, Hyperallergic

"She put in her work, but there's so much left to do." Begun in the Antebellum era, the song of suffrage was a rallying cry across the nation that would persist over a century. Capturing the spirit of this refrain, New Yorker contributing cartoonist Caitlin Cass pens a sweeping history of women's suffrage in the U.S. — a kaleidoscopic story akin to a triumphant and mournful protest song that spans decades and echoes into the present.

In Suffrage Song, Cass takes a critical, intersectional approach to the movement's history — celebrating the pivotal, hard-fought battles for voting rights while also laying bare the racist compromises suffrage leaders made along the way. She explores the multigenerational arc of the movement, humanizing key historical figures from the early days of the suffrage fight (Susan B. Anthony, Frances Watkins Harper), to the dawn of the "New Women" (Alice Paul, Mary Church Terrell), to the Civil Rights era (Fannie Lou Hamer, Ella Baker). Additionally, this book sheds light on less chronicled figures such as Zitkala-Ša and Mabel Ping Hua-Lee, whose stories reveal the complex racial dynamics that haunt this history.

The interiors include 4 foldouts, most notably a 4-page map detailing where women could vote in the US in 1919, leading up to the ratification of the 19th Amendment. Impeccably researched and rendered in an engaging and accessible comics style, Suffrage Song is sure to spark discussion on the vital issue of voting rights that continues to resonate today.

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    • Booklist

      June 1, 2024
      Political cartoonist Cass openly admits that the history of women's suffrage in the U.S. is fraught, a fact threaded throughout her collection of comics exploring key figures and moments in the movement for voting rights. Cass focuses on plenty of familiar figures, such as Susan B. Anthony and Alice Paul, and she fully considers both the powerful good they did in the fight for voting rights and the incalculable harm in prioritizing white women's rights over those of Black Americans. She treats this with nuance, revealing contradictory statements by suffragettes about race and schisms wrought by their disagreements. But perhaps the most powerful choice she makes is placing accounts of nineteenth- and early twentieth-century suffrage activists next to stories about mid-twentieth-century civil rights activists like Fannie Lou Hamer, whose rights were emphatically not protected by the Nineteenth Amendment. Without a strongly consistent through line, however, this occasionally feels a bit disjointed, but these artfully presented, thought-provoking comics, including several gatefold pages, uncover complexities of the popular historical narrative and emphasize how the fight for voting rights continues today.

      COPYRIGHT(2024) Booklist, ALL RIGHTS RESERVED.

    • Publisher's Weekly

      June 10, 2024
      This uneven chronicle of American suffrage from New Yorker cartoonist Cass (Humans in Peril) strives to capture the movement’s scope beyond the typical lens of white women’s voting access. Beginning in the 1800s and continuing through to the 1960s, Cass catalogs the struggle for enfranchisement through a loosely organized, interlinked series of overlapping character portraits. Her subjects include Elizabeth Cady Stanton and Susan B. Anthony but also lesser-known, more diverse figures, such as Ella Baker, Mary Church Terrell, and Indigenous advocate Zitkala-sa. While refreshingly comprehensive and brightly told in a rustic caricature art style, the analysis can be reductive. Cass takes pains to elucidate how Stanton, Anthony, and others campaigned against racially inclusive voting legislation, worked with racist colleagues if it advanced the women’s cause, and employed dehumanizing stereotypes to suit their political goals. Though Cass makes clear that Anthony “never acknowledged” her own racist acts, the narrative grants Anthony an interiority that seems overly generous, a “silent haunting” (surrounded by bobbing ghosts) where the activist “likely felt what she couldn’t admit.” While the approach is more nuanced than standard potrayals of this history, progressive readers will bring a skeptical eye to Cass’s incomplete reckoning.

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