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Title details for A Spell of Good Things by Ayobami Adebayo - Available

A Spell of Good Things

A novel

Audiobook
1 of 1 copy available
1 of 1 copy available
BOOKER PRIZE NOMINEE • A NEW YORKER AND NPR BEST BOOK OF THE YEAR • GMA BUZZ PICK • A dazzling story of modern Nigeria and two families caught in the riptides of wealth, power, romantic obsession, and political corruption from the celebrated author of Stay with Me, "in the lineage of great works by Chinua Achebe and Chimamanda Ngozi Adichie" (The New York Times).
Eniola is tall for his age, a boy who looks like a man. Because his father has lost his job, Eniola spends his days running errands for the local tailor, collecting newspapers, begging when he must, dreaming of a big future.
Wuraola is a golden girl, the perfect child of a wealthy family. Now an exhausted young doctor in her first year of practice, she is beloved by Kunle, the volatile son of an ascendant politician.
When a local politician takes an interest in Eniola and sudden violence shatters a family party, Wuraola's and Eniola’s lives become intertwined. In her breathtaking second novel, Ayọ̀bámi Adébáyọ̀ shines her light on Nigeria, on the gaping divide between the haves and the have-nots, and the shared humanity that lives in between.
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    • Publisher's Weekly

      Starred review from December 12, 2022
      Adébáyọ̀ follows up Stay with Me with this bright and distinctive tragedy set in modern Nigeria. Ẹniọlá, a teenager whose father has lost his job, can no longer pay the tuition at the private school that he’d hoped would enable him to rise from poverty. Wúràọlá is a doctor from a wealthy and politically connected family. She’s overworked in an underfunded hospital, and courted by well-bred Kúnlé, whose mood shifts and possessiveness unnerve her. Ẹniọlá takes an apprenticeship with a tailor, but after he is beaten at school for the unpaid fees, his mother insists Ẹniọlá and his little sister accompany her to beg for money. Things spiral out of control when Ẹniọlá’s parents decide to pay his sister’s tuition with the proceeds but not his. He takes his revenge by joining a gang working for the vengeful politician Fẹ̀sọ̀jaiyé. Wúràọlá, meanwhile, becomes engaged to Kúnlé despite her misgivings, and though her parents are ecstatic, he slaps her at a party. Kúnlé’s father is running against Fẹ̀sọ̀jaiyé, and the story’s violent denouement is as devastating as it is inevitable. Pitch-perfect details provide a sense of the characters’ lives—the red dust caked on Ẹniọlá’s white socks from long walks to school, the soft headscarf worn by Wúràọlá’s mother that “barely whispered”—and as the characters are pushed to the brink, Adébáyọ̀ delivers a searing indictment of the country’s corruption and gender inequalities. This packs a powerful punch. Agent: Kathy Robbins, in association with Clare Alexander of Aitken Alexander Associates.

    • AudioFile Magazine
      Babajide Oyekunie and Ore Apampa capture the intersecting lives in this novel set in modern-day Nigeria. Eniola is a good-looking boy who hopes to turn around his family's fortunes by working for a rising politician. Wuraola is a young, female doctor from an affluent family whose father also has political aspirations. The story is told in alternating chapters. Oyekunie softly delivers the voice of Eniola, capturing the hardships endured by a teen who is interested in education whose father can't afford to send him to school. Apampa is the weary Wuraola, who is overlooking red flags to appease her family and avoid becoming a spinster. This is an engaging listen, though many will want to be aware that there are scenes of domestic violence. M.R. © AudioFile 2023, Portland, Maine
    • Library Journal

      May 1, 2023

      Narrated by Bab�j�d� Oy�k�nl� and O․re․ Apampa, Ad�b�y�․'s second novel (following Stay with Me) explores Nigeria's social inequalities and growing economic precarity through the lives of two protagonists from opposite ends of the social and financial spectrum. W�r�o․l�, a resident doctor, comes from a wealthy family with political connections. She is pressured to conform to a patriarchal society's expectation of women, where a good marriage to a good family matters more than one's dreams and aspirations. Sixteen-year-old E․ni�․la's family struggles financially when his father loses his teaching job; eventually, E․ni�․la and his younger sister, B�so․l�, turn to the streets for money. When E․ni�․la decides to join a gang working for a political opponent of W�r�o․l�'s father-in-law, Ad�b�y�․'s deft hand in storytelling is evident as E․ni�․la and W�r�o․l�'s paths cross with devastating consequences. Oy�k�nl� and Apampa convey the rhythm of the book, speaking with accurate Yoruban accents and providing vivid characterizations that bring additional depth to this already compelling story. VERDICT Ad�b�y�․'s skill is apparent as she navigates W�r�o․l�'s and E․ni�․la's contrasting worlds, connecting the two through the choices they make and the tragedy that engulfs them both.--Enica Davis

      Copyright 2023 Library Journal, LLC Used with permission.

    • BookPage
      Some of the most fascinating novels explore the tensions between traditional ways of life and the lure of more modern ways of being. This is what roils the plot in Ayọ̀bámi Adébáyọ̀’s second novel, A Spell of Good Things. For at least two of its main characters, teenager Ẹniọlá and fledgling doctor Wuraọlá, the tension is all but intolerable. The story begins in a southwestern state in present-day Nigeria, nearly a year before an election that will usher a corrupt (or even criminal) politician into the governorship. Schools are lousy; students, including Ẹniọlá and his sister, are flogged if their parents don’t pay their school fees. Hospitals are even worse; more than one patient dies in the hospital where Wuraọlá works because of a lack of simple antivirals. There is no safety net, and inequality is atrocious. Ẹniọlá, his mother and sister must beg in the street. The children’s father, fired from his job, is in such a state of despair that he won’t get out of bed. On the other hand, Wuraọlá’s family is well-off enough to pay for her education and throw a lavish party to celebrate her mother’s birthday. Yet both impoverished Ẹniọlá and financially comfortable Wuraọlá feel hogtied by the traditions of the somewhat matriarchal society in which they were raised. Deference to elders and those in authority is so absolute that Ẹniọlá’s parents don’t even consider going to the school and insisting that the teachers stop beating their kids. Wuraọlá’s profession as a doctor isn’t what warms the cockles of her family’s hearts the most; it’s that she’s getting married before she’s 30. Ẹniọlá and Wuraọlá are destined to meet, and they do so in the most innocent and pedestrian of ways. But after that first encounter, the events that follow reveal the profound irony of the novel’s title. Adébáyọ̀ (Stay With Me) has a sprightly writing style that’s pleasurably at odds with the devastating story she tells. She captures the almost musical speech patterns of her characters and doesn’t trouble to translate snatches of Nigeria’s many languages. The novel’s cast is large, but each character is distinct; you won’t confuse Ẹniọlá’s mother with Wuraọlá’s, even though they’re quite alike. Both suffer, and so do their families.  A Spell of Good Things is a wonderfully written, tragic book.

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